Monday, March 14, 2011

Exorcism On Wall Street


Business

Exorcism On Wall Street
10 hours ago

The Devil is in the detail, some say. While others claim that there's a devil in JPMorgan Chase's Park Avenue HQ building which needed to be exorcised.

And, ever up for the task, the clery were out in force last week, gathered in front of the bank's HQ to banish 'demons of selfishness, avarice and greed'.

The Reverend Allan Ramirez from the Brookville Reformed Church, in Brookville, NY, said 'JPMorgan Chase needs to be exorcised from the demons of selfishness, avarice and greed.

'The people who bailed them out when they brought us to the brink of a world economic collapse are the very people whose mortgages they are foreclosing and thowing out on the streets into homelessness'.

The Huffington Post has reported that the exorcism was part of a campaign organized by New York Communities for Change, a group of elected officials, clergy and union members who are lobbying for a change in the bank's foreclosure procedures.

Wednesday, March 09, 2011

Julie Taymor: The Charlie Sheen Of Broadway

by Jaime Weinman on Wednesday, March 9, 2011 3:18pm - 2 Comments

I know stories about the Spider-Man musical have worn out their welcome even more than Charlie Sheen stories; at least we can see his show (given how often it’s on in syndication, we have to work hard to avoid it), whereas most sensible people will stay away from ever seeing Spider-Man. Still, it looks like Taymor is going to be forced out of the show she directed and co-wrote, the show where she turned a familiar pop-culture character into a side attraction.

(Update: I should clarify that the flippant Charlie Sheen comparison had to do with getting fired from a show completely built around her. Nothing to do with personal lives.)

It’s a little amazing. Plenty of directors and writers are forced out or forced to accept help, but until Bono turned against her (or that’s the impression these stories give anyway) Taymor was allowed to do virtually anything she wanted. Now the producers are finally running it like a real show where you replace people and write new songs and so on, but it may be too late; it is, if nothing else, one of the worst-produced shows in theatre history, since it’s the producer’s job to make sure they do this kind of thing before too much time and money has been wasted.

For those who find the Spider-Man story dull now but find theatre tryout stories interesting — I do, because even though I didn’t see the shows, I love how exposed and public the whole process is — I’d like to call attention again to this 1993 New York Times story on the Spider-Man of the early ’90s, the musical version of The Red Shoes. The producer of that show fired many key people, including director Susan Schulman (a recent fixture at Stratford, who has done a lot of their musical revivals) and re-tooled the whole thing from a quasi-feminist reinterpretation of the movie to a more straightforward re-telling of the film’s story. But though the show bombed and lost a ton of money, at least the producer was doing what producers of such a big show are supposed to do when there are creative conflicts: step in and take one side instead of the other, and retool the whole thing in keeping with the side that wins.


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> Rob T. · - how does that make taymor charlie sheen?

> 1 reply · - Getting fired from a show that was completely built around her.